NaPoWriMo 2012 @dVersePoets #FormForAll

At Last...

She returns home after troubling day
Refusing the phone. They call to say
big credit line has again reached its end
rigged interest doubling again-again

She enters the bath, hot steam rising
weave waves at mirror compromising
her once youthful glow. She once was proud,
furs and gems were her life. Now screams loud

at a reflection she does not know
flat empty eyes. Her whole heart sinks low
wondering when the fight will be won
Thundering, rumbling loss. When she runs

from dreams of kingdoms all because she
strums the strings of feathered scars they leave
when they come to finally take away
sinful lush at end of day.

White jacket, long sleeves so tempting now
Tight escape by all means. Chained. Somehow
she has lost herself along this ride
Leaves to live. Lost she will always cry

in endless rivers, drowning alone
sent with no roof, no shelter no home
Smothering heart, now tattered. Torn-
Coveting arms of the life she mourns.

In the wee dark hours before dawn
in ancient radio, classic song
while cards get shuffled and die get cast
child tightens the noose singing "At Last"

It's FormForAll with Gay (AKA Beachanny) and she has treated us to a lesson in a form brought to life by her friend and fellow poet Hector Gutierrez.  I have attempted this challenge of "Framed Couplets", though fear I have fallen a little short.  Stop by dVersePoets, have a read of the fantastic article, and tell me if you can see where I've struggled...or simply grab a pen, and take up the challenge! Also offering this up as NaPoWriMo 2012 Day 19!

And...just for fun ;)




Comments

Anonymous said…
Ouch- this was tough...such a sad sad tale- and I couldn't help but relate this, not only to work, but to how things in life can trap us in general, whether it be money, relationships, addictions- we can all feel that noose tightening sometimes- at some point though- we have to find the strength to pull it away from our throats with all of our strength - this nailed the form- and was dark, brooding- and great!
I am so glad that the initial rhyme doesn't drip so easily off of your pen either :-)The trouble with strict format is that you are distracted from the content.
Your poem does reflect the state of the nation, especially for those living and struggling alone.No country seems to escape this at present, as far as I can see.
Your internal vowel rhyme is so pleasing.
said…
This is a very moving piece, Natasha. You haven't fallen short at all.

"She enters the bath, hot steam rising" ... That sounds so heavenly.

"White jacket, long sleeves so tempting now escape by all means" ... I hear ya. :)

rosemarymint.wordpress.com
Sad and timely yet old tale. When I hear the words "at last" I think of Martin Luther King Jr.'s words "Free at last..." Layers here. Good work!
Victoria said…
I've spent time with your book now, Tash, and am able to find in this one the definite voice and theme that drives you as well as your ability to conquer forms.
Laurie Kolp said…
Tragic! And beautifully written. I, too, am enjoying your book!
Brian Miller said…
dang you nailed this form kid...that early rhyme is a beast....nice story telling as well...and very gritty reality for her that leaves me feeling very sad...
Beachanny said…
No this wasn't easy and you decided to up the ante by adding story as metaphor to the equation. I now bow to you. Masterful in rhymes on both ends and genius in the stanzas. More importantly, you really got the "jazz" into the form that was the driving beat of the reason for it. If read aloud this would definitely sound like "musical" free verse in story telling form. The story gripping, and uniquely yours. So much to love about this!
Anonymous said…
oh, this was so hard, the foreshadowing added to the dread but to read the last line was rending. I love how you used the enjambment to build suspense and 'drowning alone' made me swallow hard. 'Torn from the arms of this life she would mourn' - well, just fine, fine work!
Misfit. said…
Heart rending piece, but wonderful job with the form! Thank you for sharing!
Unknown said…
Wow, Tash, just wow. I am floored by the amount of stanzas here. What a feat. i had the hardest time getting those opening rhymes through 2. And you know, kinda makes me proud, as I remember not too long ago a girl who'd post how she wasn't really good at forms but would do them anyway, just to gain more experience and such (paraphrased, of course) and now look at you. Amazing job. Thanks
Anonymous said…
No falling short here. Wonderfully done. K.
mrs mediocrity said…
a heartbreaker... i think you did a great job with the form, this is one that will stick with me
Dawn Pisturino said…
Sophisticated stuff! Loved it.
Unknown said…
This is a sad, despairing story, pulling in so much of reality that the form adapts nicely to.
hedgewitch said…
Your narrative skills and feel for words trump any restrictions the form may have put on you, Tash. I found it rather strait-jacket-like, myself...great work, dark and all too real.
This is a raw, vivid picture of the well-known archetype: The woman who had it and lost it and doesn't really remember where it went. I've seen so many in years of nightclub performing (and I got out before I was one of them, ha ha). The final strains of Etta, heartbreaking. Here's mine, also on I think you will really dig. GREAT work. Found you at Poets United. Peace, Amy
Form: http://sharplittlepencil.com/2012/04/20/free-spirit-speaks-couplets-for-dverse/
Singer Poem:
http://sharplittlepencil.com/2012/04/09/billie-holiday/
Janie Junebug said…
You didn't fall short at all. I related to this very strongly. You gave words to feelings, and that is what a good poet does.

Love,
Janie
Frank Watson said…
I have certainly been there pushing against the credit limits and double digit rates. Besides the rhymes, I liked some of the alliteration, like "strums the strings"
James Rainsford said…
Brilliant in its close observation and engaging imagery. In some lines it reminded me of the recent tragic death of Whitney Houston.
If you missed the strictures of the form occasionally,always remember, content forced into the straight-jacket of a unforgiving structure is always diminished. Great job Natasha.
Think I'll tweet that thought. ;-)
Semaphore said…
The framed couplet form is already deceptively difficult, with it's initial and final rhymes. But you rock it here, where you use it to frame a cohesive narrative that is a chilling portrait of despair.

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